Skip to main content

New Monuments - Logan

These 3 monuments were all very beautifully sculpted, but along with that they had such powerful backstory.  With the braceros statue, there was so much heart behind it.  The acknowledgment and recognition of the mexican migrant workers was so necessary.  And for Kehinde Wiley's monument, there's no better way to put it.  Having it in the middle of Times Square is brilliant.  This statue of a black man on a horse is very pure.  It made me happy to see this.  And honestly it was the first statue that I think I have seen of a black man with dreads.  Which is ridiculous.  As for the last piece Kara walker has an enormous 13ft statue showing history of the british empire.  All of these pieces has to do with race, Identity, Culture, and history.  Having more sculptures and art pieces from people of color is a necessity.  I love that this change is happening. 

Comments

Popular posts from this blog

Emmanuel Bradshaw-Monuments article-wk4

While reading some of the monuments pieces I felt as if each of them had something that they  needed to prove. For example, for the Tate piece felt the need to expose what history has done to  people. Each level exposed how much each person was taken advantage of in service of someone  else. For the rumors of war piece exposed the whole idealism of the past resurrecting a past historical  leader to make sure that the event does not happen again. The Bracero monument exposed all of the  work that the people of that time had done in order to make sure that not another person is taken  advantage of again. But truth be told, all of these monuments have come with some sort of backlash.  The bracero monument had gotten criticism for stating that the braceros were free to do what they  wished. From what the article had stated that was not the truth. It was merely one persons  interpretation of what a bracero was, b...

Clare Morrissey-Art and Social Change Reader- Week 6

Art and Social Change Invisible Theatre               Invisible Theatre is the art of creating a performance in spaces that are not stages. The people who witness it cannot be aware it is a performance or else they would become spectators. The way this can be done is creating a solid and locked script that the actors stick to but also know it so well it allows flexibility and the ability for them to mess with it when the people witnessing the act give input or there is any disruption. The actors will prepare for anything when it comes to their performance. It is imperative to choose a location where people gather in large groups in the public. An example of how this is done is by having actors play in a scene in a crowded restaurant with many patrons. You have one actor make a big fuss over a meal they hate and the waiter offers them the nicest meal, acknowledging the price which the actor eating the meal lets it be known that the price is o...

Scott Goldfarb Week 7

Assignment: Roberta Uno- Blog Post (due October 29th, 8pm) In preparation for Roberta Uno's visit next week, read her  "Steps Towards A New World."    In it she includes 11 precepts. In a blog post, address each of the following prompts: - What are the most important/significant ideas or elements outlined by Roberta and why? - What are the implications or resonances of Uno's precepts in your own practice? - What could be a metaphor or analogy for the kind of theater that Roberta Uno describes in this text? - What questions came up as you were reading this piece? ​ I found that the most important concept in the text was how the organization is not simply chained to a building. The theatre is wherever it is necessary to be, and is defined by the community it envelopes, not the brick and mortar it houses. Community and working together collectively to create art is more important than finding a roadhouse or a nice stage. Interestingly to me, this ...