I think the three monuments create a very interesting contrast and commentary on each other. The Bracero Monument is a celebration of an under represented and essential portion of the US's history compared to the giant war memorials of generals that litter parks and public spaces throughout the country. By contrast, Rumors of War and Fons Americanus are both critiques and condemnations of the memorials that they are emulating. Rumors of War also celebrates and uplifts black culture, but when considered with the context of its intended home in Richmond, Virginia, the critique is more overt than the celebration. The medium of monumentary already comes with a very loaded history, especially in the American South, with monuments often being an expression of power rather than a celebration or memorial. Kehinde Wiley's monument plays with that history in a very interesting way. Rumors of War celebrates modern black culture by representing it front and center in a huge publicly displayed statue and by using the historic narrative of power to re-frame where the power truely lies.
Art and Social Change Invisible Theatre Invisible Theatre is the art of creating a performance in spaces that are not stages. The people who witness it cannot be aware it is a performance or else they would become spectators. The way this can be done is creating a solid and locked script that the actors stick to but also know it so well it allows flexibility and the ability for them to mess with it when the people witnessing the act give input or there is any disruption. The actors will prepare for anything when it comes to their performance. It is imperative to choose a location where people gather in large groups in the public. An example of how this is done is by having actors play in a scene in a crowded restaurant with many patrons. You have one actor make a big fuss over a meal they hate and the waiter offers them the nicest meal, acknowledging the price which the actor eating the meal lets it be known that the price is o...
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