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Week 4

Monuments are a form of public archive. Certain monuments unjustly commemorate structure, history, and a society of those who persecute, or those have been persecuted by a divisive oppressive system embedded with white supremacy. When it comes to re-contextualization, western European styles of art are adapted by marginalized groups of people to comment on slave labor used to produce past monuments. The depiction of oppressed groups in the forefront of our public archive comes from a growing social outrage towards the problematic nature of confederate statues - as well as artists who come from a lineage of the disenfranchised who desire a public representation of truth that embodies a plethora of social and artistic hemispheres.

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