Skip to main content

Konstantinos Manesiotis Week 7 Blog Post

I think the most important element from the reading is the willingness to understand your current circumstances, evaluate them in a productive manner and have the creative capacity to imagine change. Even if that change is something strange, if you let yourself go to a place you, or others, aren't comfortable with; it can bring out unexpected gold mines of ideas. Humans love to do this, as evidenced by the constant stream of new creations that pop up all around the world. However, sometimes we get complacent and fall into tradition which can be good in some ways and bad in others. Reading Roberta Uno's piece is eye opening to the ways in which you act traditionally. It helps you analyze what can be changed in that tradition and how to go about it in a precise way that can change the world.

Allowing myself to go to places in my mind and emotions that I haven't before is what resonates in my artistic process the most. It is a constant battle to allow myself to "go there" in ever performance I have. I try to work my best at being brave enough to be vulnerable in front of others on stage, but it can be difficult. I am a huge fan of stoic philosophy, and believe that the tools I've learned from it help me deal with my everyday struggles in my daily life in a good way. However, in acting there is no place for stoicism. You must live as viscerally as possible. Allowing yourself to express the same thoughts and impulses that you have in your mind outwardly, with no filter. Allowing myself to go to places I might not in regular life opens up ways to express myself. "Going there" is my constant battle, and it is one of the biggest reasons I love acting. I can express myself fully in front of a group of people who can identify with what is happening on stage.

In my eyes the play that is talked about can be seen as a time machine. A ways to transport the audience back to a time where things were morally and culturally different. If I were an audience member walking through a door that says whites only, I'd feel uncomfortable. I'd feel like I was participating in a form of racism that has died. It is ridiculous to think of this racism to have existed not too long ago. However, even though it not all that long ago many have forgotten about it. This play takes the audience back in the time machine and opens them up to history. In a way, it also comments on the present state of affairs. It gets the mind contemplating if we have succeeded in stopping this type of racism or not. As well as, what other forms of racism have not been attacked like the Jim Crow racism was. That type of discrimination was overt, blatant, and easy to spot. We need to try and acknowledge the type of discrimination that is not easily seen.

Comments

Popular posts from this blog

Clare Morrissey-Art and Social Change Reader- Week 6

Art and Social Change Invisible Theatre               Invisible Theatre is the art of creating a performance in spaces that are not stages. The people who witness it cannot be aware it is a performance or else they would become spectators. The way this can be done is creating a solid and locked script that the actors stick to but also know it so well it allows flexibility and the ability for them to mess with it when the people witnessing the act give input or there is any disruption. The actors will prepare for anything when it comes to their performance. It is imperative to choose a location where people gather in large groups in the public. An example of how this is done is by having actors play in a scene in a crowded restaurant with many patrons. You have one actor make a big fuss over a meal they hate and the waiter offers them the nicest meal, acknowledging the price which the actor eating the meal lets it be known that the price is o...

Emmanuel Bradshaw-Monuments article-wk4

While reading some of the monuments pieces I felt as if each of them had something that they  needed to prove. For example, for the Tate piece felt the need to expose what history has done to  people. Each level exposed how much each person was taken advantage of in service of someone  else. For the rumors of war piece exposed the whole idealism of the past resurrecting a past historical  leader to make sure that the event does not happen again. The Bracero monument exposed all of the  work that the people of that time had done in order to make sure that not another person is taken  advantage of again. But truth be told, all of these monuments have come with some sort of backlash.  The bracero monument had gotten criticism for stating that the braceros were free to do what they  wished. From what the article had stated that was not the truth. It was merely one persons  interpretation of what a bracero was, b...

Scott Goldfarb Week 7

Assignment: Roberta Uno- Blog Post (due October 29th, 8pm) In preparation for Roberta Uno's visit next week, read her  "Steps Towards A New World."    In it she includes 11 precepts. In a blog post, address each of the following prompts: - What are the most important/significant ideas or elements outlined by Roberta and why? - What are the implications or resonances of Uno's precepts in your own practice? - What could be a metaphor or analogy for the kind of theater that Roberta Uno describes in this text? - What questions came up as you were reading this piece? ​ I found that the most important concept in the text was how the organization is not simply chained to a building. The theatre is wherever it is necessary to be, and is defined by the community it envelopes, not the brick and mortar it houses. Community and working together collectively to create art is more important than finding a roadhouse or a nice stage. Interestingly to me, this ...