Skip to main content

Emmanuel Bradshaw-week 6- Art and social change response

One of the main takeaways that I had gotten from The excerpt from "the Videosphere", is that the
writer  wanted to take back the media component of the press. This writer had felt that the media was
taken over by a corrupt conglomerate of companies that made the news unbelievable. The writer in
many ways wanted to bring the news back to the people. The people who in a democracy have
control over who to elect. But in essence of takeaways the writer wished that the news go back to the
people who matter, and should have control over what gets placed in that democratic process


One of the biggest takeaways that I had gotten from the "Cybernetic Guerrilla Warfare" was that if
you enter a war, you have already lost. With that reasoning, you have already given into what the
other person wants, which is to bring you down to their level. If you start a war you have lost,
because you have lost your own way in creating peace. The other big takeaway was that Cybernetics
in this context means more on the side of technological advances that eventually lead to better
solutions, even if those solutions mean that you sacrifice what you have done in the past. Basically to take the win for a technological advance vs making an advance not exist because it was not invented by you.

Those are my thoughts

Comments

Popular posts from this blog

Clare Morrissey-Art and Social Change Reader- Week 6

Art and Social Change Invisible Theatre               Invisible Theatre is the art of creating a performance in spaces that are not stages. The people who witness it cannot be aware it is a performance or else they would become spectators. The way this can be done is creating a solid and locked script that the actors stick to but also know it so well it allows flexibility and the ability for them to mess with it when the people witnessing the act give input or there is any disruption. The actors will prepare for anything when it comes to their performance. It is imperative to choose a location where people gather in large groups in the public. An example of how this is done is by having actors play in a scene in a crowded restaurant with many patrons. You have one actor make a big fuss over a meal they hate and the waiter offers them the nicest meal, acknowledging the price which the actor eating the meal lets it be known that the price is o...

Emmanuel Bradshaw-Monuments article-wk4

While reading some of the monuments pieces I felt as if each of them had something that they  needed to prove. For example, for the Tate piece felt the need to expose what history has done to  people. Each level exposed how much each person was taken advantage of in service of someone  else. For the rumors of war piece exposed the whole idealism of the past resurrecting a past historical  leader to make sure that the event does not happen again. The Bracero monument exposed all of the  work that the people of that time had done in order to make sure that not another person is taken  advantage of again. But truth be told, all of these monuments have come with some sort of backlash.  The bracero monument had gotten criticism for stating that the braceros were free to do what they  wished. From what the article had stated that was not the truth. It was merely one persons  interpretation of what a bracero was, b...

Jake Jolley Week 4

How do context and identity impact the form and meaning of these artistic projects? - The context and identity impact the forms of these projects by creating a new solid standing vision of not forgetting. Meaning further that These monuments help to represent the past, as well as to honor those that act as the subject of each. As spoken about in the Guardian article, these monuments not only show the past as well as the present and future, but what it has been built on, or rather who it was built on. These projects create an identity for the minorities and remind the greater population of the struggles faced, as well as struggles still at hand.